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[indie-rock, psychedelic rock] (2018) Yazan - Hahaha [FLAC,Tracks] [DarkAngie]

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Description

(2018) Yazan - Hahaha


Review:
Growing up in New York City during the ’80s as the son of Palestinian
refugees, Brooklyn singer-songwriter Yazan absorbed peace and justice as his core values through conversations with his
parents and education at the United Nations International School. He’s spent the last few years putting those ideas
into music, deconstructing how first-world privilege works in his barebones folk and blues-rock songs. It’s a sound
and ethos that fits in well with the idiosyncratic indie championed by Exploding in Sound Records, where Yazan has
recently found a home alongside peers like Pile and Bad History Month. On Hahaha, his third album and first on the
label, he begins looking outward, both by trying to engage outsiders and by questioning his own motives. Yazan has said
he hopes to startle the complacent into action by shedding light on life problems big and small. It doesn’t get much
smaller than “Cockroach,” a sweeping and boisterous rock ballad that trudges in time with his vocal trills. He wrote
the song after a literal bug crawled through his practice space and someone squished it under their boot, leading to a
moral spiral about the imbalance between the sanctity of human life and that of insects. Elsewhere, he calls out the
false power of fear-mongering or, on the title track, laughs his way through shared anxiety while Pile drummer Kris Kuss
takes a detour into ’60s psych. Even “The Star,” where Yazan imagines a world not driven by war, contradicts
itself by employing heavy, Black Sabbath-inspired chords. For an album bent on spreading harmony and understanding,
Hahaha feels delightfully manic. That restless ambition winds up blurring many of the album’s details. All nine songs
on Hahaha offer stacks of robust guitar and a disorderly splendour that at its best recalls Tom Waits, but too often
they wander off as if caught up in their own optimistic high. “Do You Wanna Go?” embraces the openly gaudy appeal of
shredding, but keeps pushing a fun guitar solo after it’s already gone far enough. The intentionally plunky number
“Forgiveness Begins” offers a friendly reminder about self-forgiveness, but clumsily waltzes through a key change
and extended outro that adds little benefit to the message or the melody. This kind of emotional rambling fit on
Yazan’s earlier records, where it was part of the complex blues-folk scenery. But when he tries to keep up with the
rhythm-backed instrumentals of Hahaha, he ends up outshining his own points. Those stylistic differences are made
obvious when Yazan pivots back to a more Americana-based approach: The message of “When I’m Gone,” about the
importance of self-preservation when ending a relationship, is easy to absorb over its rolling roots guitar melody. The
same is true for the love song “Ghost Blues,” a song so straightforward in its dark baritone storytelling that it
could double as an homage to Bill Callahan. Though its humanistic messages occasionally get lost in feeling, Hahaha
captures Yazan’s gutsy, freewheeling positivity, and does it with enough energy to make you want to believe in what he
preaches. At this album’s best, he brings his humbling practice of peace and acceptance to life in a harsh, scruffy,
and very human sound.





Tracklist:
01. Hahaha
02. Cockroach
03. The Star
04. Forgiveness
Begins
05. When I'm Gone
06. Penetrate My Mind
07. Tiger
08. Do You Wanna Go
09. Ghost Blues


Summary:
Country: USA
Genre: indie-rock, psychedelic
rock


Media Report:
Source: CD
Format: FLAC
Format/Info: Free Lossless Audio Codec, 16-bit PCM
Bit rate mode: Variable
Bit rate: ~ 607-987 Kbps
Channel(s): 2 channels
Sampling rate: 44.1 KHz
Bit depth: 16 bits

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